Posts Tagged 'spinning'
Medieval Images- Using Drop Spindles
Published June 15, 2009 fiber arts , history , spinning 2 CommentsTags: spinning, textile tools, yarn
Ancient Images of Spinning
Published June 14, 2009 fiber arts , history , spinning Leave a CommentTags: art, spinning
Textile Tools – Teasel
Published May 9, 2009 fiber arts , history 2 CommentsTags: herbs, plants, spinning, textile history
Before wool can be spun it is necessary to comb, or card, it to align the fibers and remove knots and debris. Today that job
is done very efficiently by machine, but before mechanization, of course, it had to be done by hand. Wool cards are steel brushes that look very much like large dog or cat brushes. There was another “tool”, however, that made use of a plant , “fuller’s teasel.” Related to thistles, teasel develops a prickly seed head that when dried can be used much as a card to comb wool. There were wooden tools available to which a number of the seed heads could be attached. (See link in comment below). Teasel was also widely used, as its name suggests, by fullers, those craftsmen who shrunk woven cloth and raised the nap, thereby “finishing” it. The term “tease”, as in teasing one’s hair, is derived from this source.
See comment below for a website link to this process, with pictures. Thank you to saesford for this info.
Fiber Folklore – Sun, Moon, and Talia
Published May 4, 2009 fiber arts , history 3 CommentsTags: folklore, spinning, textile tools
It’s a shame that many kids today aren’t familiar with the famous, classic fairy tales. Now that I’ve lived a good many years, I often recognize connections and underlying meanings in the stories I learned as a little girl. Many of them involve spinning, flax, and wool, in one way or another. Here is an archetypal tale, Sun, Moon, and Talia, written by Giambattista Basile (1575-1632) during the Renaissance. it is believed to be the source material for the newer story, The Sleeping Beauty.
Sun, Moon, and Talia
On the birth of his daughter Talia, a king asked all the wise men and seers to tell her future. They concluded that she would be exposed to great
danger from a splinter of flax. To prevent any such accident, the king ordered that no flax or hemp should ever come into his castle. But one day when Talia had grown up, she saw an old woman who was spinning pass by her window. Talia, who had never seen anything like it before? “was therefore delighted with the dancing of the spindle.” Made curious, she took the distaff in her hand and began to draw out the thread. A splinter of hemp “got under her fingernail and she immediately fell dead upon the ground.” The king left his lifeless daughter seated on a velvet chair in the palace, locked the door, and departed forever, to obliterate the memory of his sorrow.
Some time after, another king was hunting. His falcon flew into a window of the empty castle and did not return. The king, trying to find the falcon, wandered in the castle. There he found Talia as if asleep, but nothing would rouse her. Falling in love with her beauty, he cohabited with her; then he left and forgot the whole affair. Nine months later Talia gave birth to two children, all the time still asleep. [They are named Sun and Moon.] “Once when one of the babies wanted to suck, it could not find the breast, but got into its mouth instead the finger that had been pricked. This the baby sucked so hard that it drew out the splinter, and Talia was roused as if from deep sleep.”
One day the king remembered his adventure and went to see Talia. He was delighted to find her awake with the two beautiful children, and from then on they were always on his mind. The king’s wife found out his secret, and on the sly sent for the two children in the king’s name She ordered them cooked and served to her husband. The cook hid the children in his own home and prepared instead some goat kids, which the queen served to the king. A while later the queen sent for Talia and planned to have her thrown into the fire because she was the reason for the king’s infidelity. At the last minute the king arrived, had his wife thrown into the fire, married Talia, and was happy to find his children, whom the cook had saved.
So what does this tale mean? You’ll notice their are no fairies in it – this is a tale about life in this world. The only magical element is the splinter that put Talia asleep. Here are some of the messages to the reader or hearer of this story:
- Even as the king’s daughter, you are not safe in this world.
- You cannot count on your parents to protect you.
- Men are driven by sexual instincts and will rape you given the chance.
- Older women are dangerous because they can get jealous.
- You need luck to survive and conquer.
Moon, Sun, and Talia is believed to provide the source material for the more widely known story, The Sleeping Beauty, recounted by Charles Perrault and the Brothers Grimm.
From Bettleheim, Bruno; The Uses of Enchantment, Random House, New York, NY: 1977.
The spindle used by the old woman in the story is a drop spindle, the tool used for over 1000 years before the invention of the spinning wheel. Pictured here, the drop spindle is used by suspending it, twisting it sharply to give it some spin, then drawing out the wool fiber while the spindle twists it into yarn. When the new yarn grows longer and the spindle reaches the ground, the spinner must stop to wrap it around the shaft before starting the process anew.
Fiber Folklore – Hateful Flax Spinning
Published May 3, 2009 fiber arts , history 2 CommentsTags: folklore, spinning
Here’s a little known story about flax from The Brothers Grimms’ first edition of Kinder und Hausmärchen [Household Stories] (1812).
Hateful Flax Spinning
In former times there lived a king who liked nothing better in all the world than having flax spun. The queen and his daughters had to spend the entire day spinning, and he was very angry if he could not hear the spinning wheels humming. One day he had to go abroad, and before taking leave, he gave the queen a great chest filled with flax, and said, “This must all be spun by the time I return.”
The princesses were very concerned and started to cry, “If we are to spin all this, we’ll have to sit here the whole day, and won’t be able to get up at all.” The queen said, “Fear not, I will help you.”
Now in this country there were three terribly ugly old maids. The first one had such a large lower lip that it hung down over her chin. The second one had a forefinger on her right hand that was so broad and thick that one could have made three normal fingers from it. The third one had a broad flat foot, as wide as half a kitchen table. The queen sent for the three, and on the day that the king was to return, she had them all sit in her parlor. She gave them her spinning wheels, and had them spin. She told each one how she was to answer the king’s questions.
When the king arrived, he was pleased to hear the humming of the wheels from afar, and prepared to praise his daughters. He entered the parlor, and when he saw the disgusting old maids sitting there, he was at first repulsed, but then he approached the first one and asked her where she had gotten the terribly large lower lip. 
“From licking! From licking!”
Then he asked the second one where she had gotten the thick finger.
“From twisting the thread! From twisting the thread, and wrapping it around!” she said, at the same time letting the thread run around her finger a few times.
Finally he asked the third one where she had gotten the thick foot.
“From pedaling! From pedaling!”
When the king heard this he ordered the queen and the princesses to never again touch a spinning wheel, and thus they were delivered from their misery.
Textile Terms: Happy St. Distaff’s Day
Published January 13, 2009 fiber arts , history 1 CommentTags: spinning, textiles

In centuries past, January 7th, the day following Epiphany, the twelfth day of Christmas, was known as St. Distaff’s Day. It was not really a holiday, nor is there really a “St. Distaff”. But the marking of this day by common people indicates the importance of spinning in the days before the industrial revolution. The distaff, or “rock”, was the medieval symbol of women’s work. Year round, spinning was a never-ending chore. During the Christmas season, however, both men and women took a break from many chores during the 12 days of the holiday.
But on January 7, the festivities were officially ended, and women would resume their daily round of household tasks. Men, however, did not resume ploughing until Plough Monday, when their ploughs were blessed. That left young men with time to play pranks on the girls, as described by a poem by Robert Herrick. But whereas women would recommence spinning on Distaff Day, the men did not return to the plough until after Plough Monday when their ploughs had been blessed.
“You must on St. Distaffs Day:
From the plough soon free your team;
Then cane home and fother them:
If the maids a-spinning go,
Burn the flax and fire the tow.
Bring in pails of water then,
Let the maids bewash the men.
Give St. Distaff’ all the right:
Then bid Christmas sport good night,
And next morrow every one
To his own vocation.”
So St Distaff’s Day, or Rock Day, as it was sometimes called, was a final opportunity for some playful high jinks,with the lads setting fire to the flax and in return, the maids soaking the men from the water-pails… Life might have been difficult during the middle ages, but there was still some room for fun.
Ancient spindle whorls
Published December 31, 2008 fiber arts , history 3 CommentsTags: spinning, textile tools
Collection of bronze age stone whorls unearthed at Egnazia, an excavated Greco-Roman city and necropolis in Southern Italy. The largest one is evidently a weight of some type.
Egnazia
This festival continues to grow, and this year it was held Saturday, April 26. Very well attended, lots of activities, workshops, and shopping, shopping, shopping. My friend Lisa accompanied me, and as the photo illustrates, had a great morning. We were excited to find an Ashford spinning wheel priced lower than online, already assembled and ready to use, so we purchased it for use at the museum where we both work. Besides the shopping – I bought a pound of white roving – I enjoy seeing the sheepdogs work and the wooly critters that supply us with those fibers so dear to the hearts of fiber artists everywhere. It was a very enjoyable way to spend a pleasant spring morning.
It’s all about the sheep:

and the alpacas:

and the people:



and all the irresistable goodies:

Sigh…. Maybe before next year’s show I’ll have hit the lottery…….
Spinning: Carding Beautiful Blends
Published February 29, 2008 fiber arts Leave a CommentTags: spinning

This morning while checking out the new Spring issue of Knitty.com, I hit upon this great spinning article in the archives. Besides dyeing, there’s another way to make beautiful painted yarns. Following are step-by-step instructions to take you through the blending process, ending up with roving that is ready to spin. Yes—blended roving from your hand cards.





















